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The Guardian says it’s “well worth the wait” and we tend to agree… Jupiter & Okwess International’s debut album “Hotel Univers” is out now on Outhere Records and it takes you right to the streets of Kinshasa.

One of our stars of the _62706321_08jupiter,-drcAfrica Express train tour (pictured here playing people onto the train), we can’t explain what Jupiter & Okwess International sound like… but anyone who saw Jupiter’s Dance, or anyone lucky enough to be in the crowd when they tore up stages across the country last September, wont need an ounce of persuasion.   If you haven’t had the pleasure, try this: Jupiter & Okwess International – Hotel Univers short film

Zimbabwe’s Mokoomba play Jazz Cafe this wednesday 5th June

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MOKOOMBA at JAZZ CAFE

Get yourselves down to the Jazz Cafe this Wednesday for MOKOOMBA – some seriously infectious Tonga dancing magic.  Read more on bbc news…  and then rush to Get your tickets here.

If you’ve been to an Africa Express gig before, email us at info@africaexpress.co.uk and we might be able to sort you out with a bit of a ticket discount

SAHARA SOUL – BASSEKOU KOUYATE / TAMIKREST / SIDI TOURE @ THE BARBICAN, LONDON – JAN 26th 2013

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This should be an unmissable gig. Three Mali music greats – Bassekou Kouyate from Segou, Tamikrest from Kidal and Sidi Touré from Gao – will be at The Barbican London on Jan 26th to celebrate Malian culture’s invincible spirit and lament the Sahara’s wounded soul.

For more details go to The Barbican website

From THE VAULT – BASHY AND KANO WITH AFRICA EXPRESS IN ETHIOPIA

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ANGLOLAN KUDURO ON THE TRACKS

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Check this fantastic collaboration between the Portuguese indi-rockers Throes and the Kuduro duo The Shine.  Kuduro is the sound of modern Angola…fast, furious and funky!

M.anifest – “A whole lifetime in a week” aboard the Africa Express

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M.anifest and M3nsa on the mic at Africa Express, Creative Commons, Bristol. Photo by Brian Okello

Mid-Morning on Sunday 2 September, I sauntered towards Euston in London with Jupiter Bokondji from the Democratic Republic of the Congo and about 15 other musicians from Mali and Senegal. Most of us had only just met. It was a colourful group that drew curious stares. Among us I would guess at least eight languages were spoken. We all had only just a vague idea of where the station was, yet if we were anxious about finding it or getting there on time none of us wore that anxiety visibly. As we walked, other musicians on the tour joined us and we all got to Euston without making a wrong turn and without any one to shepherd us there.

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